Sebastiano del Pi▓ombo is represented here by ●a most extraordinary Descent ●from the Cross,[Pg 67] Correggio by ▓the Madonna del Latte, Leonardo da ▓Vinci by the light blonde Madonna Litta, wh●ich, l
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ay the return to▓ the master of perfection, Ra▓ffaelo Sanzio, as the inevitable requirement of ▓fashion, and his disciples w●ill add here their solemn amen.But the ▓eternal masters are above the gossip of salons ▓and fashions.mentioned, i
ike all the works of this master, is que▓stioned, but which bears his i▓mprint as much as any of his● works.Of Botticelli there is a ve▓ry well-preserved Adoration of the Mag●i, similar to the Florentine paint▓in27Nov
g.Likewise, here in all the minor ▓figures of the kneeling kings an▓d shepherds, and even of the horses, the●re is a perfection in the mastery of draw▓ing, the Madonna archaically over▓slender, with th
e thin neck of ▓the Primitivists, which, out of respect f▓or sacred tradition, the otherwise bol●d master did not dare meddle with.●Naturally, the modern art mockery see▓s in this defect of Botticell▓i's, account